We have 9 different acoustic guitars – with various body shapes, bracing, woods, neck scales etc – to cover the most disparate range of applications and playing styles. One thing in common: they all record extremely well.

Of course your own instrument is the one you are used to and with which you may play best. However having a number of other guitars to work with means more options and new ideas/inspiration. Also having a variety of guitar sounds and textures in you mix creates depth, dimension and a richer harmonic context.

MARTIN D28

Since it was first made in 1931, the D28 has remained the standard by which all large-bodied, steel-stringed acoustic guitars are measured. It is a studio classic used in countless records, regardless of music genre. Simply appointed, the guitar has an AAA grade Sitka spruce top and Indian rosewood back and sides. As typical of rosewood bodied guitars, the D28 has a very extended frequency range with a clear, open, bright and vibrant sound. It works particularly well with open tunings.

Artists strongly associated with the Martin D28 include: Dick Gaughan, Bob Dylan, Joni Mitchell, Laura Marling, Neil Young, Jimmy Page (Led Zeppelin), Michael Hedges, Black Francis (The Pixies), Tony Rice, Beck

GIBSON J-45

The J-45 is nicknamed “the workhorse” for a pretty good reason: it offers resonance, warmth and a rich sound that will suit the most disparate genres and playing techniques with equal ease. The neck is a real pleasure to play. This guitar has been with me for some time, it is well played in and really has the classic J-45 sound. It records extremely well and seems to have the ability to fit in the right place in any mix, no matter in what context you use it. A real asset for any recording session.

Artists strongly associated with the Gibson J45: Buddy Holly, Woody Guthrie (with his famous “this machine kills fascists” sticker on it), early Bob Dylan, David Gilmour (Pink Floyd), Mark Knopfler, Bruce Springsteen, James Taylor, John Renbourn, Peter Doherty (The Libertines), Paul Weller

GIBSON HUMMINGBIRD

This guitar produces a velvety sound with very pronounced, beautiful harmonic overtones. You’ve heard this sound in so many hits it is almost imprinted in your brain. So much that while you play it, it already sounds like a record! The Hummingbird has Gibson’s typical short scale neck, very easy to play.

Artists strongly associated with the Gibson J45 are as diverse as: John Lennon, Keith Richards (Rolling Stones), Chris Cornell (Soundgardgen), Lenny Kravitz, Steve Conte (New York Dolls), John McLaughlin, Dave Grohl (Nirvana, Foo Fighters), Thom Yorke (Radiohead), Billy Corgan (Smashing Pumpkins)

MARTIN 000-15m

This small bodied, orchestra size guitar is completely all made of Honduran Mahogany.

It has simple, lovely vintage style appointments. Mahogany topped guitars have a very special sound – very mellow, intimate and sweet – and this one is no exception. It works very well in open tunings and capoed.

“Wonderfully balanced, articulate and engaging across the whole tonal spectrum. A sensational guitar that should be a part of every player’s collection” – Acousticmagazine.com

“I love this pretty guitar and its warm, supremely expressive tones. The 000-15M is most sublime in the studio, close-miked to capture all its gorgeous tonal detail”
– Premierguitar.com –

LARRIVEE P-03Z – Special Edition

A parlour guitar, with short scale neck joined at the 12th fret. Hand made in California with solid spruce top and zebrano back and sides. Zebrano is a stunning looking, rare wood. It combines the qualities and rosewood and mahogany, having the frequency extension and openness of rosewood, but without the “metallic” sound of it.

Not a single atom of plastic was used in this guitar: all binding is made of maple; the bridge pins, saddle nut are made of bone; the strap button made of metal. Beautifully build, with a natural satin finish.

“Many of today’s affordable parlor guitars look the part but sound nasal and thin. This is where Larrivée’s experience and all-solid wood build come into play, because the sound properly billows out of this little guitar. It’s old-timey but sustaining, delicate and responsive, with forward lower mids, a tight bottom end and sweet trebles. For lyrical fingerpicking or country and blues it’s a winner, and it’s a fine single-note lead player too”.”
– Theguitarmagazine.com –

TAYLOR GS-5

The “Grand Symphony” is Bob Taylor’s take on the jumbo shape. It delivers a rich, powerful acoustic voice, with “piano like” lows. This is a cedar top guitar, which being a soft wood makes the instrument very responsive to a light touch. Great for both fingertsyle and strumming without a pick.

“Crystal clarity and a balanced sonic temperament: tight, defined bass; open, refined midrange; and smooth, sweet treble. Remarkable expressiveness. Soft, sustained notes hung in the air with emphasis, and loud notes shot out with authority”
– Acousticfingerstyle.com –

Guild M20

A small bodied, all mahogany guitar that is very touch responsive and perfect for finger picking, though it can also work pretty well for light, delicate strumming – with or without a pick.

The M-20 is a great guitar for blues, country and rootsy/Americana styles. Intimate and ethereal folk voicings in a variety of tunings, however, are as convincing.

Nylon Strings

Cordoba C10 Crossover

This guitar is built with a solid European Spruce top and solid Indian Rosewood back and sides. The guitar standout feature is its slim neck. A reduced 48mm nut width, with 16″ radius fingerboard and thin-profiled C-shaped Mahogany neck will feel very familiar and comfortable to steel string and electric players.

Hanika 50c

This guitar has red-brown mahogany back and sides, and a solid cedar wood top. With its good attack it responds well to almost any type of playing technique. The Hanika 50c is hand made in Germany, has a short scale neck that makes it easier to play and a sweet, open sound.